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As ‘Andaz Apna Apna’ hits the massive display as soon as once more with its much-awaited re-release, costume designer Ashley Rebello finds himself flooded with nostalgia. The person behind Raveena Tandon’s memorable seems within the cult comedy, Ashley walks us via the inventive chaos, starry moments, and style inspirations that made the movie a visible delight – one which continues to spark conversations many years later.
Recalling his transient for Raveena’s costume, Ashley Rebello stated, “I used to be working with Preeti Sinha’s father Vinay Kumar Sinha. He was a rattling candy man. In these days, you needed to work in tandem with the producer, the director, and naturally, the actor. There have been additionally three different foremost actors and several other character actors concerned. So, I keep in mind the very first thing I designed a nightgown for Raveena Tandon for the tune ‘Yeh Raat Aur Yeh Duri’, and for that, I did two or three outfit adjustments for her because the sequences have been unfold throughout completely different elements of the night time.”
The designer additionally shared a cheeky behind-the-scenes second involving Karisma Kapoor.
“So I did not know Karisma in any respect that point, however in fact, afterward, I labored along with her in a number of movies – that’s an entire completely different story. So, she would ship someone or the opposite to see what Raveena was carrying. Apparently, phrase had obtained round that Raveena’s look was beautiful in that nightie. Raveena is a really engaging lady, and I believe it was a yellow colour nightgown that she wore in that tune. So, at one level, somebody even handed on a message from Karisma saying, ‘Wow, what a nightgown he has made, can he make one thing like that for me too? It was a lot enjoyable engaged on that movie.”
He continued, “Again then, it was frequent for everybody to do a number of movies, so nobody thought that this is able to be a cult movie. Nevertheless it was an excessive amount of enjoyable as a result of we have been throughout the identical age — both friends or youthful, so working collectively was simply straightforward and enjoyable.”
Regardless of the larger-than-life nature of the characters, Rebello says he at all times stored the styling grounded. When requested about inspiration, he shares, “I didn’t have a look at computer-generated ideas or overanalyse issues. I simply appeared round, the board— at what was taking place round me, style magazines, catalogues. I had entry to numerous worldwide style sources for which we needed to await months. I had all of the magazines- Vogue, GQ, Elle and so many different magazines, which actually helped. Additionally, we used to get these big catalogs of those style reveals.”
He continued, “There was one retailer that may get these Spring-Summer time books, after like six months, and all of us designers would line as much as get a have a look at them out. All of the designers would actually struggle till a couple of designers determined that we might every purchase one ebook and share it amongst us. They have been costly — ridiculously so — however we might all share. So that’s the place I used to get numerous my inspiration.”
A very memorable becoming session with Raveena nonetheless stands out to him. “The nightgown was the movie’s spotlight. No one had worn such a flowery nightgown. It had leaf embroidery and web layering, and appeared like a robe. Individuals stored asking, ‘Who designed this? It’s lovely.’ That was iconic for me.”
When requested if there’s any look he cringes at at the moment, Rebello is candid. “Perhaps only a jacket section or two. However Anna Singh additionally did numerous seems for her — all of us labored collectively again then. There have been so many seems, it’s exhausting to select only one.”
So what made the style of that movie period so iconic and lasting? He stated, “I believe what made the movie’s type so memorable was that everybody concerned was actually trendy in actual life and visually on par by way of type. All of us introduced that worldwide sensibility into our work. That made all of the distinction.”
How would he reimagine iconic characters like Amar and Prem for at the moment’s viewers? “I wouldn’t change a lot. Free denims are again, sweatshirts are in. I’d simply replace the color palette and perhaps tweak the match. I’d give them the identical T-shirts and denims, and would make them look cool and really, very hip.”
‘Andaz Apna Apna’ is operating in theatres throughout the nation.
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